Shading refers to depicting depth perception in 3D models or illustrations by varying levels of darkness.
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Shading is a process used in drawing for depicting levels of darkness on paper by applying media more densely or with a darker shade for darker areas, and less densely or with a lighter shade for lighter areas. There are various techniques of shading including cross hatching where perpendicular lines of varying closeness are drawn in a grid pattern to shade an area. The closer the lines are together, the darker the area appears. Likewise, the farther apart the lines are, the lighter the area appears.
Light patterns, such as objects having light and shaded areas, help when creating the illusion of depth on paper.
Simple tutorials and lessons are available at numerous locations online to help learn the tips and tricks of shading to improve sketches.[1]
In computer graphics, Shading refers to the process of altering the color of an object/surface/polygon in the 3D scene, based on its angle to lights and its distance from lights to create a photorealistic effect. Shading is performed during the rendering process.
Shading alters the colors of faces in a 3D model based on the angle of the surface to a light source or light sources.
The very first image below has the faces of the box rendered, but all in the same color. Edge lines have been rendered here as well which makes the image easier to see.
The second image is the same model rendered without edge lines. It is difficult to tell where one face of the box ends and the next begins.
The third image has shading enabled, which makes the image more realistic and makes it easier to see which face is which.
Usually, upon rendering a scene a number of different lighting techniques will be used to make the rendering look more realistic. For this matter, a number of different types of light sources exist to provide customization for the shading of objects.
An ambient light source represents a fixed-intensity and fixed-color light source that affects all objects in the scene equally. Upon rendering, all objects in the scene are brightened with the specified intensity and color. This type of light source is mainly used to provide the scene with a basic view of the different objects in it.
A directional light source illuminates all objects equally from a given direction, like an area light of infinite size and infinite distance from the scene; there is shading, but cannot be any distance falloff
Point, originates from a single point, and spreads outward in all directions
Spotlight, originates from a single point, and spreads outward in a coned direction
Area, originates from a single plane and illuminates all objects in a given direction beginning from that plane
Volume, an enclosed space lighting objects within that space
Shading is interpolated based on how the angle of these light sources reach the objects within a scene. Of course, these light sources can be and often are combined in a scene. The renderer then interpolates how these lights must be combined, and produces a 2d image to be displayed on the screen accordingly.
Theoretically, two surfaces which are parallel, are illuminated the same amount from a distant light source, such as the sun. Even though one surface is further away, your eye sees more of it in the same space, so the illumination appears the same.
Notice in the first image that the color on the front faces of the two boxes is exactly the same. It appears that there is a slight difference where the two faces meet, but this is an optical illusion because of the vertical edge below where the two faces meet.
Notice in the second image that the surfaces on the boxes are bright on the front box and darker on the back box. Also the floor goes from light to dark as it gets farther away.
This distance falloff effect produces images which appear more realistic without having to add additional lights to achieve the same effect.
Distance falloff can be calculated in a number of ways:
Flat shading is a lighting technique used in 3D computer graphics to shade each polygon of an object based on the angle between the polygon's surface normal and the direction of the light source, their respective colors and the intensity of the light source. It is usually used for high speed rendering where more advanced shading techniques are too computationally expensive. As a result of flat shading all of the polygon's vertices are colored with one color, allowing differentiation between adjacent polygons. Specular highlights are rendered poorly with flat shading: If there happens to be a large specular component at the representative vertex, that brightness is drawn uniformly over the entire face. If a specular highlight doesn’t fall on the representative point, it is missed entirely. Consequently, we usually do not include the specular reflection component in the shading computation.
Smooth shading of a polygon displays the points in a polygon with smoothly-changing colors across the surface of the polygon. This requires you to define a separate color for each vertex of your polygon, because the smooth color change is computed by interpolating the vertex colors across the interior of the triangle with the standard kind of interpolation we saw in the graphics pipeline discussion. Computing the color for each vertex is done with the usual computation of a standard lighting model, but in order to compute the color for each vertex separately you must define a separate normal vector for each vertex of the polygon. This allows the color of the vertex to be determined by the lighting model that includes this unique normal.
1. Determine the normal at each polygon vertex 2. Apply an illumination model to each vertex to calculate the vertex intensity 3. Linearly interpolate the vertex intensities over the surface polygon
Phong shading, is similar to Gouraud shading except that the Normals are interpolated. Thus, the specular highlights are computed much more precisely than in the Gouraud shading model.
| Flat | Smooth |
|---|---|
| Use the same color for every pixel in a face - usually the color of the first vertex. | Smooth shading uses linear interpolation of colors between vertices |
| Edges appear more pronounced than they would on a real object because of a phenomenon in the eye known as lateral inhibition | The edges disappear with this technique |
| Same color for any point of the face | Each point of the face has its own color |
| Individual faces are visualized | Visualize underlying surface |
| Not suitable for smooth objects | Suitable for any objects |
| Less expensive | More expensive |